Author Archives: Alan Bumstead Vinyl Reviews

About Alan Bumstead Vinyl Reviews

Alan Bumstead is a music fanatic who humbly adds confusion to the world with a string of album reviews written during real-time-listening in a stream-of-consciousness style, then edited for spelling, punctuation, flow and grammar. Apart from an additional introductory paragraph, the writing is improvised in time with the music. There is no re-writing. --------------------------------------------------------------------------------------------------- In his book Moving To Higher Ground Wynton Marsalis says, "Because jazz musicians improvise under the pressure of time, what's inside comes out pure. It's like being pressed to answer a question before you have a chance to get your lie straight. The first thought is usually the truth." I like to think that's what Alan Bumstead's all about.

The Marquis de Tren and Bonny Billy, Solemns EP, 2013

This would be the second Marquis/Bonny collaboration between Will Oldham and Mick Turner (of the Dirty Three), the first being the Get On Jolly EP released in 2000. There’s a neat yellow flyer that comes with the record giving a … Continue reading

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Bonnie ‘Prince’ Billy, Sixty Minute Man/Sixty-one 10”, 2013

Ah, I’d planned to work through Oldham’s discography in chronological order but I think a little timeliness in getting copy out would be good, especially for these hard-to-obtain items that the Bonnie-fan exploitation machine keeps churning out every few months. … Continue reading

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Cheyenne Mize and Bonnie “Prince” Billy, Among The Gold, 2009

This is an interesting project. These songs are old, like very old, dating back as far as 1873. The most ‘recent’ one is from 1915. There’s a neat narrative arc running through these songs with the first five mentioning “dreaming” … Continue reading

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Bonny Billy & The Picket Line, Funtown Comedown, 2009

This is the third official Bonnie ‘Prince’ Billy live album to be released on vinyl, fourth if you include the CD-only Wilding In The West from 2008. I found Summer In The Southeast virtually unlistenable, Is It The Sea? was … Continue reading

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Soulsavers, Sunrise/You Will Miss Me When I Burn 7”, 2009

Strictly speaking this is not a Will Oldham release—it’s produced by a British outfit known as Soulsavers, an “electronic-rock-gospel duo” according to Discogs. Oldham guest-sings on the A-side and Mark Lanegan on the B-side, “You Will Miss Me When I … Continue reading

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Bonnie ‘Prince’ Billy, Stay 7″, 2009

Oldham had already collaborated with Susanna Wallumrod earlier in 2009 on their 7” single “Forever And Ever,” doing two cover songs. On this cast-off, Oldham covers two Susanna songs from her album Sonata Mix Dwarf Cosmos. We’ve got several musicians … Continue reading

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Young Widows / Bonnie ‘Prince’ Billy, Poor Shelter split 7″, 2009

This was released by Temporary Residence in 2009 as the first in a series of four ‘split’ seven inch singles all featuring Young Widows on the A-side. Who they? A noise trio from Louisville, home also to the subject of … Continue reading

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Susanna and Bonny Billy Sing, Forever And Ever 7″, 2009

Susanna is none other than Susanna Wallumrod, a Norwegian singer born in 1979. I’d never heard of her until I came across this record, and I haven’t found any information on how it came about. There’s no label, and it … Continue reading

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Bonnie ‘Prince’ Billy, Chijimi 10”, 2009

It’s in Will Oldham On Bonnie ‘Prince’ Billy that Oldham says this Chijimi record is one of his favourites because of the simplicity of the recording process. Just himself, Emmett Kelly and Cheyenne Mize in a room in his house. … Continue reading

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Bonnie ‘Prince’ Billy with Harem Scarem and Alex Neilson, Is It The Sea? 2008

This is a double live album from a concert in Edinburgh recorded by the BBC and released on heavy duty vinyl. The sound quality is of a very high standard, the drums for example, can be heard in the finest … Continue reading

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Bonnie ‘Prince’ Billy, Lie Down In The Light, 2008

At first Lie Down In The Light seemed less thematically linked across the course of its eleven songs than most Bonnie ‘Prince’ Billy albums. I had thought it more focused on individual songs rather than crafting a specific feel or … Continue reading

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Bonnie ‘Prince’ Billy, Ask Forgiveness, 2007

I’d had this on my ipod for a couple of years before I got round to playing my vinyl copy, and it was really only during a hiking trip through Switzerland in 2011 that I got fully absorbed in Ask … Continue reading

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Bonnie ‘Prince’ Billy, Notes For Future Lovers 7″, 2008

This is a rather obscure release limited to 500 copies and released on translucent blue vinyl. The lyrics are taken from poems by John Harmon, a jazz musician from Wisconsin, who plays keyboards. He seems to have been involved in … Continue reading

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Bonnie ‘Prince’ Billy, Strange Form Of Life 12″, 2007

This is the fourth single to be released from The Letting Go album. Okay, I’ve already written about this song twice—once in my album review and once for the live version on the B-side to the “Bonny 2007” tour release … Continue reading

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Bonnie ‘Prince’ Billy, Bonny 2007 – John the Baptist 7″, 2007

This 7” contains two tracks recorded live in October 2007 at a concert in California. The A-side is a melding of two separate “John The Baptist” songs, one written by E.C. Ball (1913-1978) an American singer-songwriter, who played country gospel … Continue reading

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Bonnie ‘Prince’ Billy, The Letting Go, 2006

I have a sorry history with this album. I bought it in the year of release and despite being aware of all the great reviews, I never seemed to understand what people were raving about. I wasn’t really listening, and … Continue reading

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Tortoise and Bonnie ‘Prince’ Billy, The Brave And The Bold, 2006

So the first album post-Superwolf that I buy, after deciding Bonnie ‘Prince’ Billy was the best thing since blue cheese, was this hard-to-love album of covers performed with Chicago ‘post-rock’ outfit Tortoise, a band whose albums I own none of. … Continue reading

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Bonnie ‘Prince’ Billy, Lay & Love 12”, 2007

Here we have the third single in support of The Letting Go. Seems kind of odd that Oldham rarely releases promo singles and then suddenly four for one album. But they come with a plethora of B-sides so it kinda … Continue reading

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Bonnie ‘Prince’ Billy, Cold & Wet 12″, 2006

This is the second single from The Letting Go album. Here we’ve got one album track plus two live songs with what seems to be the same band Oldham toured with for the Summer In The Southeast LP. The lead … Continue reading

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Bonnie ‘Prince’ Billy, Cursed Sleep 12″, 2006

This is the first single released in advance of The Letting Go, one of Oldham’s most consistently melodic albums, although again, he has a collaborator, Dawn McCarthy, and they work some absolute magic together. The songs on this EP are … Continue reading

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Bob Dylan, Tempest, 2012

Tempest is Dylan’s 35thth studio album as they say, and what a beauty. The thrill is in hearing such a cross-sectional hodgepodgian mishmash of eclectic ways to say ‘Dylanesque pastiche.’ Like the surface of the earth, he’s all over the place—congo … Continue reading

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Bonnie ‘Prince’ Billy, Summer In The Southeast, 2005

For me, this is the least likable of Oldham’s three live albums of the noughties. In fact, it’s the least likable Oldham album full stop. The mix isn’t great, although it’s a good opportunity to hear the full electric Bonnie … Continue reading

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Matt Sweeney & Bonnie ‘Prince’ Billy, Superwolf, 2005

I walked into Kichijoji’s Disc Union in 2005, the week Superwolf was released, and without knowing anything about it, but not quite being the Bonnie fan I was about to become, bought it on a whim. I went home and … Continue reading

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May Your Song Always Be Sung: The Songs of Bob Dylan Vol. 3, Various Artists, 2003

I’ve just made my biggest jump forward on this Dylan covers-on-vinyl project. Ten whole years on from 1993’s 30th Anniversary Concert, to 2003, and what a huge difference in sound quality. Okay, so it’s a German produced recording, practically audiophile … Continue reading

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Songs For The Young At Heart, Puff The Magic Dragon 7″, 2005

In 2005 Stuart Staples and David Boulter decided to get together and produce an album of updated versions of children’s songs. Boulter had just had a son and wanted to play him classic kids’ music which he felt was on … Continue reading

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Bonny/Sweeney, I Gave You b/w Four Screams 7″, 2005

This is the only single released to promote the brilliant Superwolf album. Three facts which suggest that it wasn’t much of a promotional move, however: (1) “I Gave You” is a great song but it’s not the album’s best; (2) … Continue reading

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Bonnie “Prince” Billy, Sings Greatest Palace Music, 2004

According to Oldham, after working with Marty Slayton on Master And Everyone and realizing how it easy it was to work with professional studio musicians, he decided he’d head down to Nashville and make this album, which doesn’t sound like … Continue reading

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Bonnie ‘Prince’ Billy, No More Workhorse Blues b/w The Color Of My Dreams 7″, 2004

Here we have the second single in support of Sings Greatest Palace Music. I could add a note here about how much I’ve been enjoying these new versions since I got to know all of the songs through the Palace … Continue reading

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Bonnie ‘Prince’ Billy, Agnes, Queen Of Sorrow b/w Blokbuster 7″, 2004

This was the first single in support of Sings Greatest Palace Music, the album Oldham recorded using Nashville session musicians to revive his old Palace material. I remember there was a lot of hand wringing in the music press over … Continue reading

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Will Oldham, Seafarers Music, 2004

Seafarers was a documentary made by Jason Massot which “followed four different merchant-marine guys from four different countries who were all in the port of Rotterdam … one of the biggest commercial seaports in the world” (Oldham). These men, a … Continue reading

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Bonnie ‘Prince’ Billy, Master And Everyone, 2003

This was the first Bonnie ‘Prince’ Billy album I purchased, after enjoying a copy of Ease Down The Road that a friend made for me in 2002. I must have bought it in Japan because my CD copy came with … Continue reading

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Will Oldham, We All, Us Three, Will Ride b/w Barcelona 7″, 2002

This isn’t the first time he’s ‘covered himself’ but this is about where Oldham must have started thinking about getting his Palace music heard again, having achieved success as Bonnie ‘Prince’ Billy. This would culminate with a whole album of … Continue reading

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The Continental OP, Slitch Music 12″, 2002

This is another soundtrack, recorded by Will Oldham and David Pajo—they’d worked together many times before during the Palace years. Pajo’s claim to fame is Slint and Papa M, but he’s had bit parts in too many other bands to … Continue reading

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Amalgamated Sons Of Rest, Amalgamated Sons Of Rest 12″ EP, 2002

The Amalgamated Sons of Rest is a one-off project consisting of Jason Molina (from Songs: Ohia and Magnolia Electric Co.), Will Oldham, and Alasdair Roberts (of Appendix Out). The contents herein were recorded in September of 2001. Oldham sings lead … Continue reading

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Bonny Billy / Rainywood, Brother Warrior b/w Cornflower Blue, split 7”, 2002

These two songs are both Kate Wolf covers. Who’s Kate Wolf? You might well ask unless you’re well versed in American country/folk/singer-songwriters of the 70s and 80s, which I’m obviously not, because I’d never heard of her until five minutes … Continue reading

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Will Oldham and Erik Wesselo, Forest Time, Book & 10″, 2002

This is a single song 10” released in the Netherlands; tis an art collaboration with Eric Wesselo, a photographer who provides the 12 photos that appear in the booklet (samples below). Apparently 5000 copies were produced worldwide so it’s not … Continue reading

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Bonnie ‘Prince’ Billy, Ease Down The Road, 2001

Ease Down The Road, while perfectly enjoyable, has always been my least favourite Will Oldham album, while also being my first. A friend made me a copy on MD back in 2002. Listening to it closely in preparation for this … Continue reading

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The Marquis de Tren and Bonny Billy, Get On Jolly EP, 2000

I’ve just read two reviews of this EP on the internet – the only two I could find after a very quick search – and neither reviewer seemed to realize that the lyrics to Get On Jolly are taken from a … Continue reading

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Rian Murphy & Will Oldham, All Most Heaven EP, 2000

The title itself is language play – shoving ‘all’ in front of ‘most’ is generally considered bad grammar – but that’s nothing once you hear the lyrics. Oldham seems to invent his own language for this collection of songs, which … Continue reading

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Bonnie “Blue” Billy, Little Boy Blue I & II b/w Blue Boy 7″, 2000

These three songs are all covers written some time in the past seventy years by American songwriters, two of whom were born in 1920 Tennessee. I guess Oldham chose them because the song titles are all nearly the same. In … Continue reading

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Will Oldham, Guarapero: Lost Blues 2, 2000

‘Guarapero’ is a colloquial term for “a person who drinks a lot or knows how to drink,” but a ‘guarapero’ can also mean one who makes ‘guarapo’ – an iced drink popular in South America. Guarapero picks up not only … Continue reading

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Will Oldham, Ode Music, 2000

Ode Music is the soundtrack to a film called Ode by Kelly Reichardt released in 1999. It’s about two southern kids who meet at a bridge in order to consummate their forbidden love. At some point, the boy jumps off … Continue reading

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Bonnie ‘Prince’ Billy, Let’s Start A Family (Blacks) b/w A Whorehouse Is Any House 7″, 1999

This single was released as part of a Subpop promotion called the Subpop Singles Club. It’s great that the Prince was still releasing singles that weren’t related to promoting albums. That wouldn’t eventuate in force until Greatest Palace, Superwolf and … Continue reading

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Bonnie ‘Prince’ Billy, I See A Darkness, 1999

When any artist engages with death as his or her subject matter in an instinctual and sensitive manner (I’m not talking death metal or goth rock here), it generally gets lauded as an artistic triumph. This is perhaps one of … Continue reading

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Will Oldham / Rising Shotgun, In My Mind b/w Spotlight split 7”, 1997

Both songs on this 7” were written by David Allan Coe, one of the pioneers of the outlaw country genre. Coe spent twenty years in and out of ‘corrective institutions’ before going to Nashville and making a name for himself, … Continue reading

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Bonnie ‘Prince’ Billy, One With The Birds b/w Southside Of The World 7″, 1998

Both tracks here embrace a much classier recording dynamic than the Palace material, and this is where we’re really starting to see the birth of Bonnie ‘Prince’ Billy, an artist who says he finally realized that making music did not … Continue reading

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Bonnie ‘Prince’ Billy, Performs Songs Of Kevin Loyne 7”, 1998

The first thing to note here is that “Loyne” is a typo. It’s meant to be “Coyne.” The record was produced and released in Portugal with three different covers. If we look closely at some of the artists Oldham has … Continue reading

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Bonnie ‘Prince’ Billy, Black Dissimulation b/w No Such As What I Want 7”, 1998

Around 1996/7, Will Oldham got together with members of the Dirty Three and several other musicians to record an album of new material, which he ultimately ditched. He says that he found it unsatisfying owing to the disjointed and unfocused … Continue reading

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Palace Contribution / Zeni Geva, Big Balls b/w Let There Be Rock split 7”, 1997

In collaboration with a German label called Gasoline Boost, the Chicago record label Skin Graft released a run of AC/DC 7” tribute records in the late 90s. This one is referred to as “Sides 5 and 6” because it was … Continue reading

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Will Oldham, Patience b/w Take However Long You Want 7″, 1997

This 7” signals yet another aesthetic change from the Palace sound, which itself may be bedrocked in the lo-fi country death ballad, but above which, variations on a theme and inconsistency have kept things interesting. Days In The Wake was … Continue reading

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